The XP500 BEAM (ARES) is ACME's professional indoor high-power pure beam moving head light, featuring an ultra-narrow, sharp beam and multi-layered prism stacking effects. It is specifically designed for indoor concerts, livehouses, studios, indoor music festivals, and large-scale commercial performances. It eliminates CMY color mixing, maximizing the effect of the beam lines in the air, earning it the industry nickname "The God of Variety" from ACME Group.

MSD Platinum 19R LL 380W discharge bulb, color temperature 6700K, luminous flux 9900lm, rated lifespan 5000 hours, extremely strong long-distance penetration.

200mm large-diameter front-facing optical lens with a minimum beam angle of only 1.3°, producing a thin, clear beam at high altitudes with no scattering at long distances; paired with an independent diffuser and dual equalizers, it softens the edges of the beam with a single touch.

Four types of prisms that can be used independently or stacked: 8-prism, 24-prism, 48-prism, and six-sided linear prisms, offering a total of 8 combination options; the prisms can rotate bidirectionally and vibrate at varying speeds, generating hundreds of dynamic aerial light effects when combined with pattern overlays. (ACME Group)

12 saturated pure colors + high CRI filter + green reduction filter, supporting high-speed rainbow flow and color switching.

2800K–6700K, freely switchable between warm and cool white light

No CMY color mixing structure, all light paths are supplied to the beam brightness, resulting in higher saturation of aerial light pillars.

10 static texture patterns.

3 dynamic water ripple/texture effect sheets, which can be overlapped and combined with the pattern palette.

Palettes can rotate at variable speed, jitter, and index positioning; combined with prisms, they can achieve multi-layered stereoscopic beam images (ACME LIGHTING).

16-bit high-precision stepper motor, smooth and jitter-free movement, automatic step correction upon startup.

Vertical axis mechanical locking, stable and non-offset during hanging and ground placement.

High-speed positioning, synchronized array arrangement. Staggered movement creates a flowing beam wall.

• 3° ultra-narrow beam + 200mm large lens, sharp and non-diffuse light beam at long distances, maximizing the texture of aerial lines
• Freely stackable quadrilaterals, rich special effects combinations, providing ample creative space for lighting designers
• 16-bit high-precision motion, stable array synchronization and positioning, suitable for large-scale performance matrix layouts
• No CMY optical path loss, superior brightness compared to a three-in-one moving head light at the same power
• Long bulb life, simple maintenance, low long-term cost for touring performances and fixed theaters